Solfeggio

Solfeggio frequencies are simply frequencies of a multiple of 3 Hz.


3 Hz x 1, 3 Hz x 3, 3 Hz x 5, 3 x 7, 3 x 9, 3 x 11, 3 x 13, etc.
SOLFEGGIO= 3 times X
X= an odd integer natural number

All solfeggio frequencies always result in a 3, a 6 or a 9 in the cross sum.
Example: 528 Hz – 5+2+8=15 – 1+5=6

3,6,9 have the relation: 3+3=6 – 3+3+3=9

3 is therefore the base for 6 and 9.

EXAMPLE
3 Hz x 11 = 33 Hz – first octave 33 Hz x 2 = 66 Hz – second octave 132 Hz, third octave 264 Hz, fourth octave 528 Hz.

The term Solfeggio is invented and has no meaning and no relation to the reality of the frequencies.
The effect felt by users is always based only on the effect of 3 Hz.

Our Solfeggio titles are all played in Natural Tuning. They are simply called Solfeggio because the name has become so established on the internet.

In reality they are the frequencies of the trinity.

Solfeggio
Solfeggio = Trinity Frequencies

Definition of the Solfeggio Frequencies


An important criterion in the definition of the Solfeggio frequencies is that all their base values and octave values in the Theosophical reduction, always result in the “Digital Root” (transverse sums) 3, 6 or 9, known by Tesla.

In his works, Nikola Tesla repeatedly pointed out the importance of these three numbers as basic indexes of the Divine and the creative power. He also pointed to the energetic order relations of our physically describable world.

Concerning the designations of the frequencies I must point out that they are not authentic designations, but have found their way into the world of frequencies by Dr. Leonard Horowitz. However, they have developed since the year 1999 to an own reality independently of Mr. Horowitz.

And here comes an important fact right away:
Why is the frequency 336 HZ not a solfeggio frequency? Or have I now also discovered one?

I quote from the Bach Flower Portal:

“According to the documents presented in “Healing Codes for the Biological Apocalypse,” Dr. Joseph Puleo learned about the Pythagorean method of numerical reduction and discovered the pattern of six repeating codes.
The Pythagorean method is a simple reduction method that converts large numbers into single digits by adding the values of all the digits in the number. If after the first addition the number still contains more than one digit, the process is repeated, e.g. 456 can be reduced to 4 + 5 + 6 = 15 and then reduced to 1 + 5 = 6. Thus, the number 456 eventually reduces to the single digit 6. Following this pattern, Puleo discovered that the Solfeggio frequencies are based on this mathematical reduction and can all be reduced to the transverse sums 3, 6, and 9….”


This is also the case with the frequency 336 HZ (21 HZ). Or what about the frequency 504 HZ (63 HZ)? Or the frequency 648 HZ (81)? No Solfeggios? Did Puleo miss that?

Find new solfeggio frequencies yourself and try the effect!
The principle is simple: you must always think in terms of reference frequencies. Go through all the odd, whole, natural numbers. If you come across a number that adds up to 3 or 6 or 9, you have found a solfeggio frequency! 111 HZ is a nice solfeggio frequency after all.


Sound Example


UT queant laxis – 396 Hz – digit sum 9396 Hz – Liberating Guilt and Fear
REsonare fibris – 417 Hz – digit sum 3417 Hz – Undoing Situations and Facilitating Change
MIra gestorum – 528 Hz – digit sum 6528 Hz – Transformation and Miracles (DNA Repair)
FAmuli tuorum – 639 Hz – digit sum 9639 Hz – Connecting/Relationships
SOLlve polluti – 741 Hz – digit sum 3741 Hz – Intuition Activation
LAbii reatum – 852 Hz – digit sum 6852 Hz – Returning to Spiritual Order

396 Hz417 Hz
Frequencies of the octaves – digit sum
0,7734375 – 9
1,546875 – 9
3,09375 – 9
6,1875 – 9
12,375 – 9
24,75 – 9
49,5 – 9
99 – 9
198 – 9
396 Hz – 9
792 – 9
1584 – 9
3168 – 9
6336 – 9
12672 – 9
25344 -9
50688 – 9
101376 – 9
202752 – 9
Frequencies of the octaves – digit sum
0,814453125 – 6
1,62890625 – 3
3,2578125  – 6
6,515625  – 3
13,03125  – 6
26,0625  – 3
52,125  – 6
104,25  – 3
208,5  – 6
417  – 3
834  – 6
1668  – 3
3336  – 6
6672  – 3
13344  – 6
26688  – 3
53376  – 6
106752  – 3
213504  – 6
528 Hz 639 Hz

1,03125 – 3
2,0625 – 6
4,125 – 3
8,25 -6
16,5 – 3
33 – 6
66 – 3
132 – 6
264 – 3
528 – 6
1056 – 3
2112 – 6
4224 – 3
8448 – 6
16896 – 3
50688 – 9
101376 – 9
202752 – 9
405504 – 9
811008 – 9
1,248046875 – 9
2,49609375 – 9
 4,9921875 – 9
9,984375 – 9
19,96875 – 9
39,9375 – 9
79,875 – 9
159,75 – 9
319,5 – 9
639 – 9
1278 – 9
2556 – 9
5112 – 9
10224 – 9
40896 – 9
81792 – 9
163584 -9
327168 – 9
654336 -9
741 Hz852 Hz

1,447265625 – 6
2,89453125 – 3
5,7890625 – 6
11,578125 – 3
23,15625 – 6
46,3125 – 3
92,625 – 6
185,25 –
370,5 – 6
741 – 3
1482 – 6
2964 – 3
5928 – 6
11856 – 3
23712 – 6
47424 – 3
94848 – 6
189696 – 3
3379392 – 6

1,6640625 – 3
3,328125 – 6
6,65625 – 3
13,3125 – 6
26,625 – 3
53,25 – 6
106,5 – 3
213 – 6
426 – 3
852 – 6
1704 – 3
3408 – 6
6816 – 3
13632 – 6
27264 – 3
54528 – 6
109056 – 3
218112 – 6
436224 – 3

Everything is exciting, but who discovered the frequencies? You can’t invent frequencies, only the stories around them, you can invent him.


Solfeggio – The Fake Term

Earliest mention of the term “solfeggio

Helmholtz, an ardent advocate of just intonation, in his doctrine of tone sensations as a physiological basis for the theory of music, also reported on the “Society of Solfeggists,” which by 1862 already had 150,000 members. This society used the tonic-sol-fa method and consequently instead of notation a syllabic notation (Do Re Mi Fa So La Ti Do), where Do always denoted the tonic. When modulation changed the tonic, the syllabic designation also changed; the note on which the change occurred was given two syllables, that of the first key and that of the second. The intonation was always in relation to the tonic. When changing from C major to G major, for example, the A of G major was intonated purely to the tonic G, i.e., one syntonic comma higher compared to C major.

Helmholtz heard 40 children between the ages of eight and twelve in a London elementary school whose purity of intonation astonished him. He pointed out that the London schools and solfeggists give an annual concert of 2,000 to 3,000 children’s voices in the Crystal Palace at Sydenham, which makes the best impression on listeners by euphony and accuracy of execution.

So this has nothing at all to do with the later Horowitz-Solfeggio frequencies. There Dr. Horowitz has probably helped himself with the designation.


A medieval scale?


Solfeggio frequencies in legend are apparently a series of sine tones to which certain effects are attributed on a more or less esoteric basis. They are supposedly based in their origins on a medieval scale taught by Guido of Arezzo (992-1050) with the help of St. John’s Hymn.
The initial syllables of the lines of the Hymn of St. John were sung in these tones, thus giving them their name.

Today’s scale is derived from these tones, but the frequency of the ancient tones is unknown (or the means of tuning the tones were much less accurate than today), which is why followers of solfeggio frequencies usually assume different frequencies than those of today’s scale.

So the origin of the syllables of the solfeggio frequencies we have found. St. John hymn

But also here no connection with a pitch of the Hororwitz frequencies.


The church knew?


Allegedly, even the early Catholic Church knew about the solfeggio frequencies and their effects, and used them in the composition of numerous chorales, such as the Gregorian chants of monks. See Guido of Arezzo for more information.

However, since these special frequencies have a mind-expanding effect for the listener (and also for the singers or musicians), the Vatican very soon saw in these frequencies a danger for the ecclesiastical power structure and imposed a ban on the Solfeggio frequencies. Thereupon these special frequencies fell into oblivion for several centuries.

The church knows nothing about it, a pure invention.


DNA?


Allegedly, microbiological research confirms the potencies of the Solfeggio frequency values. 528 Hz (transformation) would be used for example in modern molecular biology as repair frequency for damaged DNA strands ( A. Davidson: The Royal R. Rife Report, Borderline Sciences 1988 and the book of Dr. Joseph Poleo and Dr. Leonard Horowitz: Healing Codes for the Biological Apocalypse).

So we have already found a reliable source for the myth. Horowitz himself is it!


Conclusion


A Google search about the origin, meaning and effect of the solfeggio frequencies always leads to the same results with similar texts. One quickly notices that everyone has copied from somewhere. The real source remains in the dark.

Even if the Solfeggio frequencies have nothing at all to do with Gregorian chants, the pure mathematical consideration is amazing.

By the publication of the discovery and the naming a quasi-standard has been created, which has become a myth today with the help of the Google search engine.

Only one conclusion is obvious. Solfeggio frequencies saw the light of day with the book “Healing Codes for the Biological Apocalypse” by Dr. Joseph Poleo and Dr. Leonard Horowitz.
The term Solfeggio and the names of the individual frequencies have nothing to do with the frequencies as a natural phenomenon and their effect.


For deepening


I recommend the website (English) of Roel Hollander. It goes into depth and is excellent for the studuim of the Solfeggio fake.

https://roelhollander.eu/en/tuning-frequency/ancient-solfeggio-frequencies/