Solfeggio

Solfeggio Frequencies are simply Frequencies of a Multiple of 3 Hz.


3 Hz x 1, 3 Hz x 3, 3 Hz x 5, 3 x 7, 3 x 9, 3 x 11, 3 x 13, etc.


SOLFEGGIO= 3 times X
X= an odd integer natural number

All solfeggio frequencies always result in a 3, a 6 or a 9 in the cross sum.
Example: 528 Hz – 5+2+8=15 – 1+5=6

3,6,9 have the relation: 3+3=6 – 3+3+3=9

3 is therefore the base for 6 and 9.

EXAMPLE
3 Hz x 11 = 33 Hz – first octave 33 Hz x 2 = 66 Hz – second octave 132 Hz, third octave 264 Hz, fourth octave 528 Hz.

The term Solfeggio is invented and has no meaning and no relation to the reality of the frequencies.
The effect felt by users is always based only on the effect of 3 Hz.

Our Solfeggio titles are all played in Natural Tuning. They are simply called Solfeggio because the name has become so established on the internet.

In reality they are the frequencies of the trinity.

Solfeggio
Solfeggio = Trinity Frequencies

Definition of the Solfeggio Frequencies


An important criterion in the definition of the Solfeggio frequencies is that all their base values and octave values in the Theosophical reduction, always result in the „Digital Root“ (transverse sums) 3, 6 or 9, known by Tesla.

In his works, Nikola Tesla repeatedly pointed out the importance of these three numbers as basic indexes of the Divine and the creative power. He also pointed to the energetic order relations of our physically describable world.

Concerning the designations of the frequencies I must point out that they are not authentic designations, but have found their way into the world of frequencies by Dr. Leonard Horowitz. However, they have developed since the year 1999 to an own reality independently of Mr. Horowitz.

And here comes an important fact right away:
Why is the frequency 336 HZ not a solfeggio frequency? Or have I now also discovered one?

I quote from the Bach Flower Portal:

„According to the documents presented in „Healing Codes for the Biological Apocalypse,“ Dr. Joseph Puleo learned about the Pythagorean method of numerical reduction and discovered the pattern of six repeating codes.
The Pythagorean method is a simple reduction method that converts large numbers into single digits by adding the values of all the digits in the number. If after the first addition the number still contains more than one digit, the process is repeated, e.g. 456 can be reduced to 4 + 5 + 6 = 15 and then reduced to 1 + 5 = 6. Thus, the number 456 eventually reduces to the single digit 6. Following this pattern, Puleo discovered that the Solfeggio frequencies are based on this mathematical reduction and can all be reduced to the transverse sums 3, 6, and 9….“


This is also the case with the frequency 336 HZ (21 HZ). Or what about the frequency 504 HZ (63 HZ)? Or the frequency 648 HZ (81)? No Solfeggios? Did Puleo miss that?

Find new solfeggio frequencies yourself and try the effect!
The principle is simple: you must always think in terms of reference frequencies. Go through all the odd, whole, natural numbers. If you come across a number that adds up to 3 or 6 or 9, you have found a solfeggio frequency! 111 HZ is a nice solfeggio frequency after all.

UT queant laxis….

UT queant laxis – 396 Hz – digit sum 9396 Hz – Liberating Guilt and Fear
REsonare fibris – 417 Hz – digit sum 3417 Hz – Undoing Situations and Facilitating Change
MIra gestorum – 528 Hz – digit sum 6528 Hz – Transformation and Miracles (DNA Repair)
FAmuli tuorum – 639 Hz – digit sum 9639 Hz – Connecting/Relationships
SOLlve polluti – 741 Hz – digit sum 3741 Hz – Intuition Activation
LAbii reatum – 852 Hz – digit sum 6852 Hz – Returning to Spiritual Order
396 Hz417 Hz
Frequencies of the octaves – digit sum
0,7734375 – 9
1,546875 – 9
3,09375 – 9
6,1875 – 9
12,375 – 9
24,75 – 9
49,5 – 9
99 – 9
198 – 9
396 Hz – 9
792 – 9
1584 – 9
3168 – 9
6336 – 9
12672 – 9
25344 -9
50688 – 9
101376 – 9
202752 – 9
Frequencies of the octaves – digit sum
0,814453125 – 6
1,62890625 – 3
3,2578125  – 6
6,515625  – 3
13,03125  – 6
26,0625  – 3
52,125  – 6
104,25  – 3
208,5  – 6
417  – 3
834  – 6
1668  – 3
3336  – 6
6672  – 3
13344  – 6
26688  – 3
53376  – 6
106752  – 3
213504  – 6
528 Hz 639 Hz

1,03125 – 3
2,0625 – 6
4,125 – 3
8,25 -6
16,5 – 3
33 – 6
66 – 3
132 – 6
264 – 3
528 – 6
1056 – 3
2112 – 6
4224 – 3
8448 – 6
16896 – 3
50688 – 9
101376 – 9
202752 – 9
405504 – 9
811008 – 9
1,248046875 – 9
2,49609375 – 9
 4,9921875 – 9
9,984375 – 9
19,96875 – 9
39,9375 – 9
79,875 – 9
159,75 – 9
319,5 – 9
639 – 9
1278 – 9
2556 – 9
5112 – 9
10224 – 9
40896 – 9
81792 – 9
163584 -9
327168 – 9
654336 -9
741 Hz852 Hz

1,447265625 – 6
2,89453125 – 3
5,7890625 – 6
11,578125 – 3
23,15625 – 6
46,3125 – 3
92,625 – 6
185,25 –
370,5 – 6
741 – 3
1482 – 6
2964 – 3
5928 – 6
11856 – 3
23712 – 6
47424 – 3
94848 – 6
189696 – 3
3379392 – 6

1,6640625 – 3
3,328125 – 6
6,65625 – 3
13,3125 – 6
26,625 – 3
53,25 – 6
106,5 – 3
213 – 6
426 – 3
852 – 6
1704 – 3
3408 – 6
6816 – 3
13632 – 6
27264 – 3
54528 – 6
109056 – 3
218112 – 6
436224 – 3

Everything is exciting, but who discovered the frequencies? You can’t invent frequencies, only the stories around them, you can invent him.

Solfeggio – The Fake Term

Earliest mention of the term „solfeggio

Helmholtz, an ardent advocate of just intonation, in his doctrine of tone sensations as a physiological basis for the theory of music, also reported on the „Society of Solfeggists,“ which by 1862 already had 150,000 members. This society used the tonic-sol-fa method and consequently instead of notation a syllabic notation (Do Re Mi Fa So La Ti Do), where Do always denoted the tonic. When modulation changed the tonic, the syllabic designation also changed; the note on which the change occurred was given two syllables, that of the first key and that of the second. The intonation was always in relation to the tonic. When changing from C major to G major, for example, the A of G major was intonated purely to the tonic G, i.e., one syntonic comma higher compared to C major.

Helmholtz heard 40 children between the ages of eight and twelve in a London elementary school whose purity of intonation astonished him. He pointed out that the London schools and solfeggists give an annual concert of 2,000 to 3,000 children’s voices in the Crystal Palace at Sydenham, which makes the best impression on listeners by euphony and accuracy of execution.

So this has nothing at all to do with the later Horowitz-Solfeggio frequencies. There Dr. Horowitz has probably helped himself with the designation.

A medieval scale?


Solfeggio frequencies in legend are apparently a series of sine tones to which certain effects are attributed on a more or less esoteric basis. They are supposedly based in their origins on a medieval scale taught by Guido of Arezzo (992-1050) with the help of St. John’s Hymn.
The initial syllables of the lines of the Hymn of St. John were sung in these tones, thus giving them their name.

Today’s scale is derived from these tones, but the frequency of the ancient tones is unknown (or the means of tuning the tones were much less accurate than today), which is why followers of solfeggio frequencies usually assume different frequencies than those of today’s scale.

So the origin of the syllables of the solfeggio frequencies we have found. St. John hymn

But also here no connection with a pitch of the Hororwitz frequencies.

The church knew?


Allegedly, even the early Catholic Church knew about the solfeggio frequencies and their effects, and used them in the composition of numerous chorales, such as the Gregorian chants of monks. See Guido of Arezzo for more information.

However, since these special frequencies have a mind-expanding effect for the listener (and also for the singers or musicians), the Vatican very soon saw in these frequencies a danger for the ecclesiastical power structure and imposed a ban on the Solfeggio frequencies. Thereupon these special frequencies fell into oblivion for several centuries.

The church knows nothing about it, a pure invention.

DNA?


Allegedly, microbiological research confirms the potencies of the Solfeggio frequency values. 528 Hz (transformation) would be used for example in modern molecular biology as repair frequency for damaged DNA strands ( A. Davidson: The Royal R. Rife Report, Borderline Sciences 1988 and the book of Dr. Joseph Poleo and Dr. Leonard Horowitz: Healing Codes for the Biological Apocalypse).

So we have already found a reliable source for the myth. Horowitz himself is it!

Conclusion


A Google search about the origin, meaning and effect of the solfeggio frequencies always leads to the same results with similar texts. One quickly notices that everyone has copied from somewhere. The real source remains in the dark.

Even if the Solfeggio frequencies have nothing at all to do with Gregorian chants, the pure mathematical consideration is amazing.

By the publication of the discovery and the naming a quasi-standard has been created, which has become a myth today with the help of the Google search engine.

Only one conclusion is obvious. Solfeggio frequencies saw the light of day with the book „Healing Codes for the Biological Apocalypse“ by Dr. Joseph Poleo and Dr. Leonard Horowitz.
The term Solfeggio and the names of the individual frequencies have nothing to do with the frequencies as a natural phenomenon and their effect.

For deepening


I recommend the website (English) of Roel Hollander. It goes into depth and is excellent for the studuim of the Solfeggio fake.

https://roelhollander.eu/en/tuning-frequency/ancient-solfeggio-frequencies/

Solfeggio Scales

The Solfeggio scales are in pure intonation.

396 Hz


UT queant laxis – Quersumme 9
Bezugsfrequenz = 99 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C0 (UT0)24,75UT1 24,75 Hz1/1prime
C1 (UT1)49,5UT1 49,5 Hz1/1prime
Db152,8UT1 49,5 Hz16/15minor second
D155,69UT1 49,5 Hz9/8major second
ES159,4UT1 49,5 Hz6/5minor third
E161,88UT1 49,5 Hz5/4major third
F166UT1 49,5 Hz4/3perfect fourth
Gb169,61UT1 49,5 Hz45/32augmented fourth
G174,25UT1 49,5 Hz3/2perfect fifth
Ab179,25UT1 49,5 Hz8/5minor sixth
A182,50UT1 49,5 Hz5/3major sixth
Bb189,1UT1 49,5 Hz9/5minor seventh
B192,81UT1 49,5 Hz15/8major seventh
C2 (UT2)99UT2 99 Hz1/1prime
Db2105,6UT2 99 Hz16/15minor second
D2111,38UT2 99 Hz9/8major second
ES2118,8UT2 99 Hz6/5minor third
E2123,75UT2 99 Hz5/4major third
F2132UT2 99 Hz4/3perfect fourth
Gb2139,22UT2 99 Hz45/32augmented fourth
G2148,5UT2 99 Hz3/2perfect fifth
Ab2158,4UT2 99 Hz8/5minor sixth
A2165UT2 99 Hz5/3major sixth
Bb2178,2UT2 99 Hz9/5minor seventh
B2185,63UT2 99 Hz15/8major seventh
C3 (UT3)198UT3 198 Hz1/1prime
Db3211,2UT3 198 Hz16/15minor second
D3222,75UT3 198 Hz9/8major second
ES3237,6UT3 198 Hz6/5minor third
E3247,5UT3 198 Hz5/4major third
F3264UT3 198 Hz4/3perfect fourth
Gb3278,44UT3 198 Hz45/32augmented fourth
G3297UT3 198 Hz3/2perfect fifth
Ab3316,8UT3 198 Hz8/5minor sixth
A3330UT3 198 Hz5/3major sixth
Bb3356,4UT3 198 Hz9/5minor seventh
B3371,25UT3 198 Hz15/8major seventh
C4 (UT4)396UT4 396 Hz1/1prime
Db4422,40UT4 396 Hz16/15minor second
D4445,5UT4 396 Hz9/8major second
ES4475,2UT4 396 Hz6/5minor third
E4495UT4 396 Hz5/4major third
F4528UT4 396 Hz4/3perfect fourth
Gb4556,88UT4 396 Hz45/32augmented fourth
G4594UT4 396 Hz3/2perfect fifth
Ab4633,6UT4 396 Hz8/5minor sixth
A4660UT4 396 Hz5/3major sixth
Bb4712,8UT4 396 Hz9/5minor seventh
B4742,5UT4 396 Hz15/8major seventh
C5 (UT5)792UT5 792 Hz1/1prime
Db5844,80UT5 792 Hz16/15minor second
D5891UT5 792 Hz9/8major second
ES5950,4UT5 792 Hz6/5minor third
E5990UT5 792 Hz5/4major third
F51056UT5 792 Hz4/3perfect fourth
Gb5113,75UT5 792 Hz45/32augmented fourth
G51188UT5 792 Hz3/2perfect fifth
Ab51267,2UT5 792 Hz8/5minor sixth
A51320UT5 792 Hz5/3major sixth
Bb51425,6UT5 792 Hz9/5minor seventh
B51485UT5 792 Hz15/8major seventh
C6 (UT6)1584UT6 1584 Hz1/1prime
Db61689,6UT6 1584 Hz16/15minor second
D61782UT6 1584 Hz9/8major second
ES61900,8UT6 1584 Hz6/5minor third
E61980UT6 1584 Hz5/4major third
F62112UT6 1584 Hz4/3perfect fourth
Gb6227,5UT6 1584 Hz45/32augmented fourth
G62376UT6 1584 Hz3/2perfect fifth
Ab62534,4UT6 1584 Hz8/5minor sixth
A62640UT6 1584 Hz5/3major sixth
Bb62851,2UT6 1584 Hz9/5minor seventh
B62970UT6 1584 Hz15/8major seventh
C7 (UT7)3168UT7 3168 Hz1/1prime
Db73379,2UT7 3168 Hz16/15minor second
D73564UT7 3168 Hz9/8major second
ES73801,6UT7 3168 Hz6/5minor third
E73960UT7 3168 Hz5/4major third
F74224UT7 3168 Hz4/3perfect fourth
Gb74455UT7 3168 Hz45/32augmented fourth
G74752UT7 3168 Hz3/2perfect fifth
Ab75068,8UT7 3168 Hz8/5minor sixth
A75280UT7 3168 Hz5/3major sixth
Bb75702,4UT7 3168 Hz9/5minor seventh
B75940UT7 3168 Hz15/8major seventh
C8 (UT8)6636UT8 6636 Hz1/1prime

417 Hz

REsonare fibris – Quersumme 3
Bezugsfrequenz = 417 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C1 (RE1)52,125RE1 52,125 Hz1/1prime
Db155,6RE1 52,125 Hz16/15minor second
D158,641RE1 52,125 Hz9/8major second
ES162,550RE1 52,125 Hz6/5minor third
E165,156RE1 52,125 Hz5/4major third
F169,5RE1 52,125 Hz4/3perfect fourth
Gb173,301RE1 52,125 Hz45/32augmented fourth
G178,188RE1 52,125 Hz3/2perfect fifth
Ab183,4RE1 52,125 Hz8/5minor sixth
A186,875RE1 52,125 Hz5/3major sixth
Bb193,825RE1 52,125 Hz9/5minor seventh
B197,734RE1 52,125 Hz15/8major seventh
C2 (RE2)104,25RE2 104,25 Hz1/1prime
Db2111,2RE2 104,25 Hz16/15minor second
D2117,28RE2 104,25 Hz9/8major second
ES2125,1RE2 104,25 Hz6/5minor third
E2130,31RE2 104,25 Hz5/4major third
F2139RE2 104,25 Hz4/3perfect fourth
Gb2146,6RE2 104,25 Hz45/32augmented fourth
G2156,38RE2 104,25 Hz3/2perfect fifth
Ab2166,80RE2 104,25 Hz8/5minor sixth
A2173,75RE2 104,25 Hz5/3major sixth
Bb2187,65RE2 104,25 Hz9/5minor seventh
B2195,47RE2 104,25 Hz15/8major seventh
C3 (RE3)208,5RE3 208,5 Hz1/1prime
Db3222,4RE3 208,5 Hz16/15minor second
D3234,56RE3 208,5 Hz9/8major second
ES3250,2RE3 208,5 Hz6/5minor third
E3260,63RE3 208,5 Hz5/4major third
F3278RE3 208,5 Hz4/3perfect fourth
Gb3293,2RE3 208,5 Hz45/32augmented fourth
G3312,75RE3 208,5 Hz3/2perfect fifth
Ab3333,6RE3 208,5 Hz8/5minor sixth
A3347,5RE3 208,5 Hz5/3major sixth
Bb3375,3RE3 208,5 Hz9/5minor seventh
B3390,94RE3 208,5 Hz15/8major seventh
C4 (RE4)417RE4 417 Hz1/1prime
Db4444,8RE4 417 Hz16/15minor second
D4469,13RE4 417 Hz9/8major second
ES4500,4RE4 417 Hz6/5minor third
E4521,25RE4 417 Hz5/4major third
F4556RE4 417 Hz4/3perfect fourth
Gb4586,41RE4 417 Hz45/32augmented fourth
G4625,5RE4 417 Hz3/2perfect fifth
Ab4667,2RE4 417 Hz8/5minor sixth
A4695RE4 417 Hz5/3major sixth
Bb4750,6RE4 417 Hz9/5minor seventh
B4781,88RE4 417 Hz15/8major seventh
C5 (RE5)834RE5 834 Hz1/1prime
Db5889,6RE5 834 Hz16/15minor second
D5938,25RE5 834 Hz9/8major second
ES51000,8RE5 834 Hz6/5minor third
E51042,5RE5 834 Hz5/4major third
F51112RE5 834 Hz4/3perfect fourth
Gb51172,81RE5 834 Hz45/32augmented fourth
G51261RE5 834 Hz3/2perfect fifth
Ab51334,4RE5 834 Hz8/5minor sixth
A51390RE5 834 Hz5/3major sixth
Bb51501,2RE5 834 Hz9/5minor seventh
B51563,75RE5 834 Hz15/8major seventh
C6 (RE6)1668RE6 1668 Hz1/1prime
Db61779,2RE6 1668 Hz16/15minor second
D61876,5RE6 1668 Hz9/8major second
ES62001,6RE6 1668 Hz6/5minor third
E62085RE6 1668 Hz5/4major third
F62224RE6 1668 Hz4/3perfect fourth
Gb62345,63RE6 1668 Hz45/32augmented fourth
G62502RE6 1668 Hz3/2perfect fifth
Ab62668,8RE6 1668 Hz8/5minor sixth
A62780RE6 1668 Hz5/3major sixth
Bb63002,4RE6 1668 Hz9/5minor seventh
B63127,5RE6 1668 Hz15/8major seventh
C7 (RE7)3336RE7 3336 Hz1/1prime
Db73558,4RE7 3336 Hz16/15minor second
D73753RE7 3336 Hz9/8major second
ES74003,2RE7 3336 Hz6/5minor third
E74170RE7 3336 Hz5/4major third
F74448RE7 3336 Hz4/3perfect fourth
Gb74691,25RE7 3336 Hz45/32augmented fourth
G75004RE7 3336 Hz3/2perfect fifth
Ab75337,6RE7 3336 Hz8/5minor sixth
A75560RE7 3336 Hz5/3major sixth
Bb76004,8RE7 3336 Hz9/5minor seventh
B76255RE7 3336 Hz15/8major seventh
C8 (RE8)6672RE8 6672 Hz1/1prime

528 Hz

MIra gestorum – Quersumme 6
Bezugsfrequenz = 33 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C1 (MI1)33MI1 33 Hz1/1prime
Db135,2MI1 33 Hz16/15minor second
D137,125MI1 33 Hz9/8major second
ES139,6MI1 33 Hz6/5minor third
E141,250MI1 33 Hz5/4major third
F144MI1 33 Hz4/3perfect fourth
Gb146,2MI1 33 Hz45/32augmented fourth
G149,5MI1 33 Hz3/2perfect fifth
Ab152,8MI1 33 Hz8/5minor sixth
A155MI1 33 Hz5/3major sixth
Bb159,4MI1 33 Hz9/5minor seventh
B161,875MI1 33 Hz15/8major seventh
C2 (MI2)66MI2 66 Hz1/1prime
Db270.4MI2 66 Hz16/15minor second
D274,25MI2 66 Hz9/8major second
ES279,2MI2 66 Hz6/5minor third
E282,5MI2 66 Hz5/4major third
F288MI2 66 Hz4/3perfect fourth
Gb292,4MI2 66 Hz45/32augmented fourth
G299MI2 66 Hz3/2perfect fifth
Ab21005,6MI2 66 Hz8/5minor sixth
A2110MI2 66 Hz5/3major sixth
Bb2118,8MI2 66 Hz9/5minor seventh
B2123,75MI2 66 Hz15/8major seventh
C3 (MI3)132MI3 132 Hz1/1prime
Db3140,8MI3 132 Hz16/15minor second
D3148,5MI3 132 Hz9/8major second
ES3158,4MI3 132 Hz6/5minor third
E3165MI3 132 Hz5/4major third
F3176MI3 132 Hz4/3perfect fourth
Gb3184,8MI3 132 Hz45/32augmented fourth
G3198MI3 132 Hz3/2perfect fifth
Ab3211,2MI3 132 Hz8/5minor sixth
A3220MI3 132 Hz5/3major sixth
Bb3237,6MI3 132 Hz9/5minor seventh
B3247,5MI3 132 Hz15/8major seventh
C4 (MI4)264MI4 264 Hz1/1prime
Db4281,6MI4 264 Hz16/15minor second
D4297MI4 264 Hz9/8major second
ES4316,8MI4 264 Hz6/5minor third
E4330MI4 264 Hz5/4major third
F4352MI4 264 Hz4/3perfect fourth
Gb4369,6MI4 264 Hz45/32augmented fourth
G4396MI4 264 Hz3/2perfect fifth
Ab4422,4MI4 264 Hz8/5minor sixth
A4440MI4 264 Hz5/3major sixth
Bb4475,2MI4 264 Hz9/5minor seventh
B4495MI4 264 Hz15/8major seventh
C5 (MI5)528MI5 528 Hz1/1prime
Db5563,2MI5 528 Hz16/15minor second
D5594MI5 528 Hz9/8major second
ES5633,60MI5 528 Hz6/5minor third
E5660MI5 528 Hz5/4major third
F5704MI5 528 Hz4/3perfect fourth
Gb5739,2MI5 528 Hz45/32augmented fourth
G5792MI5 528 Hz3/2perfect fifth
Ab5844,8MI5 528 Hz8/5minor sixth
A5880MI5 528 Hz5/3major sixth
Bb5950,4MI5 528 Hz9/5minor seventh
B5990MI5 528 Hz15/8major seventh
C6 (MI6)1056MI6 1056 Hz1/1prime
Db61126,4MI6 1056 Hz16/15minor second
D61188MI6 1056 Hz9/8major second
ES61267,2MI6 1056 Hz6/5minor third
E61320MI6 1056 Hz5/4major third
F61408MI6 1056 Hz4/3perfect fourth
Gb61478,4MI6 1056 Hz45/32augmented fourth
G61584MI6 1056 Hz3/2perfect fifth
Ab61689,6MI6 1056 Hz8/5minor sixth
A61760MI6 1056 Hz5/3major sixth
Bb61900,8MI6 1056 Hz9/5minor seventh
B61980MI6 1980 Hz15/8major seventh
C7 (MI7)2112MI7 2112Hz1/1prime
Db72252,8MI7 2112Hz16/15minor second
D72376MI7 2112Hz9/8major second
ES72534,4MI7 2112Hz6/5minor third
E72640MI7 2112Hz5/4major third
F72816MI7 2112Hz4/3perfect fourth
Gb72956,8MI7 2112Hz45/32augmented fourth
G73168MI7 2112Hz3/2perfect fifth
Ab73379,2MI7 2112Hz8/5minor sixth
A73520MI7 2112Hz5/3major sixth
Bb73801,6MI7 2112Hz9/5minor seventh
B73960MI7 2112Hz15/8major seventh
C8 (MI8)4224MI8 4224Hz1/1prime
Db84505,6MI8 4224Hz16/15minor second
D85068,8MI8 4224Hz9/8major second
ES85280MI8 4224Hz6/5minor third
E85632MI8 4224Hz5/4major third
F85913,6MI8 4224Hz4/3perfect fourth
Gb86336MI8 4224Hz45/32augmented fourth
Ab86758,4MI8 4224Hz8/5minor sixth
A87040MI8 4224Hz5/3major sixth
Bb87603,2MI8 4224Hz9/5minor seventh
B87920MI8 4224Hz15/8major seventh
C9 (MI9)8448MI9 8448 Hz1/1prime

639 Hz

FAmuli tuorum – Quersumme 9
Bezugsfrequenz = 639 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C1 (FA1)79,875FA1 80 Hz1/1prime
Db185,20FA1 80 Hz16/15minor second
D189,859FA1 80 Hz9/8major second
ES195,85FA1 80 Hz6/5minor third
E199,844FA1 80 Hz5/4major third
F1106,5FA1 80 Hz4/3perfect fourth
Gb1112,324FA1 80 Hz45/32augmented fourth
G1119,813FA1 80 Hz3/2perfect fifth
Ab1127,8FA1 80 Hz8/5minor sixth
A1133,125FA1 80 Hz5/3major sixth
Bb1143,775FA1 80 Hz9/5minor seventh
B1149,766FA1 80 Hz15/8major seventh
C2 (FA2)159,75FA2 160 Hz1/1prime
Db2170,40FA2 160 Hz16/15minor second
D2179,72FA2 160 Hz9/8major second
ES2191,7FA2 160 Hz6/5minor third
E2199,69FA2 160 Hz5/4major third
F2213FA2 160 Hz4/3perfect fourth
Gb2224,65FA2 160 Hz45/32augmented fourth
G2239,63FA2 160 Hz3/2perfect fifth
Ab2255,6FA2 160 Hz8/5minor sixth
A2266,25FA2 160 Hz5/3major sixth
Bb2287,55FA2 160 Hz9/5minor seventh
B2299,53FA2 160 Hz15/8major seventh
C3 (FA3)319,5FA3 320 Hz1/1prime
Db3340,8FA3 320 Hz16/15minor second
D3359,44FA3 320 Hz9/8major second
ES3383,4FA3 320 Hz6/5minor third
E3399,38FA3 320 Hz5/4major third
F3426FA3 320 Hz4/3perfect fourth
Gb3449,3FA3 320 Hz45/32augmented fourth
G3479,25FA3 320 Hz3/2perfect fifth
Ab3511,2FA3 320 Hz8/5minor sixth
A3532,5FA3 320 Hz5/3major sixth
Bb3575,1FA3 320 Hz9/5minor seventh
B3599,06FA3 320 Hz15/8major seventh
C4 (FA4)639FA4 639 Hz1/1prime
Db4681,6FA4 639 Hz16/15minor second
D4718,88FA4 639 Hz9/8major second
ES4766,8FA4 639 Hz6/5minor third
E4798,75FA4 639 Hz5/4major third
F4852FA4 639 Hz4/3perfect fourth
Gb4898,59FA4 639 Hz45/32augmented fourth
G4958,5FA4 639 Hz3/2perfect fifth
Ab41022,4FA4 639 Hz8/5minor sixth
A41065FA4 639 Hz5/3major sixth
Bb41150,2FA4 639 Hz9/5minor seventh
B41198,13FA4 639 Hz15/8major seventh
C5 (FA5)1278FA5 1278 Hz1/1prime
Db51363,2FA5 1278 Hz16/15minor second
D51437,75FA5 1278 Hz9/8major second
ES51533,6FA5 1278 Hz6/5minor third
E51597,5FA5 1278 Hz5/4major third
F51704FA5 1278 Hz4/3perfect fourth
Gb51797,19FA5 1278 Hz45/32augmented fourth
G51917FA5 1278 Hz3/2perfect fifth
Ab52044,8FA5 1278 Hz8/5minor sixth
A52130FA5 1278 Hz5/3major sixth
Bb52300,4FA5 1278 Hz9/5minor seventh
B52396,25FA5 1278 Hz15/8major seventh
C6 (FA6)2556FA6 2556 Hz1/1prime
Db62726,4FA6 2556 Hz16/15minor second
D62875,5FA6 2556 Hz9/8major second
ES63067,2FA6 2556 Hz6/5minor third
E63195FA6 2556 Hz5/4major third
F63408FA6 2556 Hz4/3perfect fourth
Gb63594,38FA6 2556 Hz45/32augmented fourth
G63834FA6 2556 Hz3/2perfect fifth
Ab64089,6FA6 2556 Hz8/5minor sixth
A64260FA6 2556 Hz5/3major sixth
Bb64600,8FA6 2556 Hz9/5minor seventh
B64792,5FA6 2556 Hz15/8major seventh
C7 (FA7)5112FA7 5112 Hz1/1prime
Db7  16/15minor second
D7  9/8major second
ES7  6/5minor third
E7  5/4major third
F7  4/3perfect fourth
Gb7  45/32augmented fourth
G7  3/2perfect fifth
Ab7  8/5minor sixth
A7  5/3major sixth
Bb7  9/5minor seventh
B7  15/8major seventh
C8 (FA8)  1/1prime

741 Hz

SOLlve polluti – Quersumme 3
Bezugsfrequenz = 741 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C1 (SOL1)46,31SOL1 46 Hz1/1prime
Db149,4SOL1 46 Hz16/15minor second
D152,1SOL1 46 Hz9/8major second
ES155,58SOL1 46 Hz6/5minor third
E157,9SOL1 46 Hz5/4major third
F161,8SOL1 46 Hz4/3perfect fourth
Gb165,13SOL1 46 Hz45/32augmented fourth
G169,47SOL1 46 Hz3/2perfect fifth
Ab174,1SOL1 46 Hz8/5minor sixth
A177,19SOL1 46 Hz5/3major sixth
Bb183,36SOL1 46 Hz9/5minor seventh
B186,84SOL1 46 Hz15/8major seventh
C2 (SOL2)92,63SOL2 92 Hz1/1prime
Db298,8SOL2 92 Hz16/15minor second
D2104,2SOL2 92 Hz9/8major second
ES2111,15SOL2 92 Hz6/5minor third
E2115,78SOL2 92 Hz5/4major third
F2123,5SOL2 92 Hz4/3perfect fourth
Gb2130,25SOL2 92 Hz45/32augmented fourth
G2138,94SOL2 92 Hz3/2perfect fifth
Ab2148,2SOL2 92 Hz8/5minor sixth
A2154,38SOL2 92 Hz5/3major sixth
Bb2166,73SOL2 92 Hz9/5minor seventh
B2173,67SOL2 92 Hz15/8major seventh
C3 (SOL3)185,25SOL3 185 Hz1/1prime
Db3197,6SOL3 185 Hz16/15minor second
D3208,41SOL3 185 Hz9/8major second
ES3222,30SOL3 185 Hz6/5minor third
E3231,56SOL3 185 Hz5/4major third
F3247SOL3 185 Hz4/3perfect fourth
Gb3260,51SOL3 185 Hz45/32augmented fourth
G3277,88SOL3 185 Hz3/2perfect fifth
Ab3296,4SOL3 185 Hz8/5minor sixth
A3308,75SOL3 185 Hz5/3major sixth
Bb3333,45SOL3 185 Hz9/5minor seventh
B3347,34SOL3 185 Hz15/8major seventh
C4 (SOL4)370,5SOL4 370 Hz1/1prime
Db4395,2SOL4 370 Hz16/15minor second
D4416,81SOL4 370 Hz9/8major second
ES4444,6SOL4 370 Hz6/5minor third
E4463,13SOL4 370 Hz5/4major third
F4494SOL4 370 Hz4/3perfect fourth
Gb4521,02SOL4 370 Hz45/32augmented fourth
G4555,75SOL4 370 Hz3/2perfect fifth
Ab4592,80SOL4 370 Hz8/5minor sixth
A4617,5SOL4 370 Hz5/3major sixth
Bb4666,9SOL4 370 Hz9/5minor seventh
B4694,69SOL4 370 Hz15/8major seventh
C5 (SOL5)741SOL5 741 Hz1/1prime
Db5790,4SOL5 741 Hz16/15minor second
D5833,63SOL5 741 Hz9/8major second
ES5889,2SOL5 741 Hz6/5minor third
E5926,25SOL5 741 Hz5/4major third
F5988SOL5 741 Hz4/3perfect fourth
Gb51042,03SOL5 741 Hz45/32augmented fourth
G51111,5SOL5 741 Hz3/2perfect fifth
Ab51185,6SOL5 741 Hz8/5minor sixth
A51235SOL5 741 Hz5/3major sixth
Bb51333,8SOL5 741 Hz9/5minor seventh
B51389,38SOL5 741 Hz15/8major seventh
C6 (SOL6)1482SOL6 1482 Hz1/1prime
Db61580,8SOL6 1482 Hz16/15minor second
D61667,25SOL6 1482 Hz9/8major second
ES61778,4SOL6 1482 Hz6/5minor third
E61852,5SOL6 1482 Hz5/4major third
F61976SOL6 1482 Hz4/3perfect fourth
Gb62084,06SOL6 1482 Hz45/32augmented fourth
G62223SOL6 1482 Hz3/2perfect fifth
Ab62371,2SOL6 1482 Hz8/5minor sixth
A62470SOL6 1482 Hz5/3major sixth
Bb62667,6SOL6 1482 Hz9/5minor seventh
B62778,75SOL6 1482 Hz15/8major seventh
C7 (SOL7)2964SOL7 2964 Hz1/1prime
Db73161,6SOL7 2964 Hz16/15minor second
D73334,5SOL7 2964 Hz9/8major second
ES73556,8SOL7 2964 Hz6/5minor third
E73705SOL7 2964 Hz5/4major third
F73952SOL7 2964 Hz4/3perfect fourth
Gb74168,13SOL7 2964 Hz45/32augmented fourth
G74446SOL7 2964 Hz3/2perfect fifth
Ab74742,4SOL7 2964 Hz8/5minor sixth
A74940SOL7 2964 Hz5/3major sixth
Bb75335,2SOL7 2964 Hz9/5minor seventh
B75557,5SOL7 2964 Hz15/8major seventh
C8 (SOL8)5928SOL8 5928 Hz1/1prime

852 Hz

LAbii reatum – Quersumme 6
Bezugsfrequenz = 213 Hz

ToneFrequency
Hz
Interval
reference
RatioInterval
C1 (LA1)53,25LA1 53,25 Hz1/1prime
Db156,8LA1 53,25 Hz16/15minor second
D159,91LA1 53,25 Hz9/8major second
ES163,9LA1 53,25 Hz6/5minor third
E166,57LA1 53,25 Hz5/4major third
F171LA1 53,25 Hz4/3perfect fourth
Gb174,55LA1 53,25 Hz45/32augmented fourth
G179,88LA1 53,25 Hz3/2perfect fifth
Ab185,2LA1 53,25 Hz8/5minor sixth
A188,75LA1 53,25 Hz5/3major sixth
Bb195,85LA1 53,25 Hz9/5minor seventh
B199,84LA1 53,25 Hz15/8major seventh
C2 (LA2)106,5LA2  106,5 Hz1/1prime
Db2113,6LA2  106,5 Hz16/15minor second
D2119,81LA2  106,5 Hz9/8major second
ES2127,8LA2  106,5 Hz6/5minor third
E2133,13LA2  106,5 Hz5/4major third
F2142LA2  106,5 Hz4/3perfect fourth
Gb2149,1LA2  106,5 Hz45/32augmented fourth
G2159,75LA2  106,5 Hz3/2perfect fifth
Ab2170,4LA2  106,5 Hz8/5minor sixth
A2177,5LA2  106,5 Hz5/3major sixth
Bb2191,7LA2  106,5 Hz9/5minor seventh
B2199,69LA2  106,5 Hz15/8major seventh
C3 (LA3)213LA3 213 Hz1/1prime
Db3227,2LA3 213 Hz16/15minor second
D3239,63LA3 213 Hz9/8major second
ES3255,6LA3 213 Hz6/5minor third
E3266,25LA3 213 Hz5/4major third
F3284LA3 213 Hz4/3perfect fourth
Gb3298,2LA3 213 Hz45/32augmented fourth
G3319,5LA3 213 Hz3/2perfect fifth
Ab3340,8LA3 213 Hz8/5minor sixth
A3355LA3 213 Hz5/3major sixth
Bb3383,4LA3 213 Hz9/5minor seventh
B3399,38LA3 213 Hz15/8major seventh
C4 (LA4)426LA4 426 Hz1/1prime
Db4454,4LA4 426 Hz16/15minor second
D4479,25LA4 426 Hz9/8major second
ES4511,2LA4 426 Hz6/5minor third
E4532,5LA4 426 Hz5/4major third
F4568LA4 426 Hz4/3perfect fourth
Gb4596,4LA4 426 Hz45/32augmented fourth
G4639LA4 426 Hz3/2perfect fifth
Ab4681,6LA4 426 Hz8/5minor sixth
A4710LA4 426 Hz5/3major sixth
Bb4766,8LA4 426 Hz9/5minor seventh
B4798,75LA4 852 Hz15/8major seventh
C5 (LA5)852LA5 852 Hz1/1prime
Db5908,8LA5 852 Hz16/15minor second
D5958,5LA5 852 Hz9/8major second
ES51022,4LA5 852 Hz6/5minor third
E51065LA5 852 Hz5/4major third
F51136LA5 852 Hz4/3perfect fourth
Gb51192,8LA5 852 Hz45/32augmented fourth
G51278LA5 852 Hz3/2perfect fifth
Ab51363,2LA5 852 Hz8/5minor sixth
A51420LA5 852 Hz5/3major sixth
Bb51533,6LA5 852 Hz9/5minor seventh
B51597,5LA5 852 Hz15/8major seventh
C6 (LA6)1704LA6 1704 Hz1/1prime
Db61817,6LA6 1704 Hz16/15minor second
D61917LA6 1704 Hz9/8major second
ES62044,8LA6 1704 Hz6/5minor third
E62130LA6 1704 Hz5/4major third
F62272LA6 1704 Hz4/3perfect fourth
Gb62385,6LA6 1704 Hz45/32augmented fourth
G62556LA6 1704 Hz3/2perfect fifth
Ab62726,4LA6 1704 Hz8/5minor sixth
A62840LA6 1704 Hz5/3major sixth
Bb63067,2LA6 1704 Hz9/5minor seventh
B63195LA6 1704 Hz15/8major seventh
C7 (LA7)3408LA7 3408 Hz1/1prime
Db73635,2LA7 3408 Hz16/15minor second
D73834LA7 3408 Hz9/8major second
ES74089,6LA7 3408 Hz6/5minor third
E74260LA7 3408 Hz5/4major third
F74544LA7 3408 Hz4/3perfect fourth
Gb74771,2LA7 3408 Hz45/32augmented fourth
G75112LA7 3408 Hz3/2perfect fifth
Ab75452,8LA7 3408 Hz8/5minor sixth
A75680LA7 3408 Hz5/3major sixth
Bb76134LA7 3408 Hz9/5minor seventh
B76390LA7 3408 Hz15/8major seventh
C8 (LA8)6816LA 6816 Hz1/1prime